Kamar yadda muka fada, muhimmin motsi na fasaha an kira shi muralism, yana da aikin ilimantarwa a Meziko, tare da saita Arewa don cimma daidaituwa bayan Juyin Juya Hali.
Tunanin Markisanci ya rinjayi masu zanen da suka aiwatar da shi kuma suka yi ƙoƙari su zana ta fuskar bango yanayin zamantakewar da siyasa da Mexico ta fuskanta bayan juyin-juya hali.
Tsakanin 1929 da 1935, Diego Rivera ya kirkiro jerin ayyuka a bangon da ke kewaye da tsakar gidan na Fadar Kasa. A can ya ba da tarihin Meziko wanda ya faro tun daga zamanin Hispanic zuwa shekarun farko na shekaru XNUMX na ƙarni na XNUMX.
Babban aikin ya sake dawo da wata tafiya mai tsada a cikin shahararriyar kasuwar Tlatelolco, a zamanin tsohuwar Tenochtitlan. A ciki, adadi na Tlatoani ko shugaban Aztec ya fice, wanda ke kula da duk ayyukan da aka yi a cikin babban matakin. Hakanan akwai adadi mai yawa na fatake na Opochtec suna ba da nau'ikan samfuran: fuka-fukai, yadudduka, fatun dabbobi da karafa masu daraja.
Bayan wannan saitin, Rivera ya sake fasalin fasalin wasu temples masu mahimmanci da gine-gine a cikin tsohuwar babban birnin Aztec da sauran gine-gine, samfuran injiniyan zamani.
Da gaskiya mai girma an ce wannan bango "kyakkyawan aiki ne a zane, mai launi na ban mamaki, amma ya fi kyau a cikin zane-zane na hoto."